Posts Tagged ‘SuccessStory’
More limited versions:
Dodge is a minimalist arcade game involving the act of dodging squares. In the eventual Steam version, this would be possible to do infinitely, as in other versions, or it would be possible to complete prepared levels. A level editor is included. The eventual Steam version would be greatly improved over the other versions, shipping with a level editor, 50 levels (they take about 10 seconds each, if done in one try), more customisation for the endless Level Infinity, and a few other things that I don’t care to mention.
Feel free to vote it up. Or down, if you really want to.
WHAT WENT RIGHT
1. It’s pretty! I wanted a very beautiful game and I think that went well. There’s a ton of art in this thing. As usual, I create new assets as needed. I ended up with two large photoshop files: an overworld sea where you navigate the ocean in your pirate ship, and a battle screen, where I made all battle sprites and animations. What this lets me do is keep a consistent color palette and style across the whole project, and essentially replaces the concept art stage that a normal game goes through. I used amazing references like Legend of Zelda Windwaker and Breath of Fire IV.
2. I learnt tons of stuff! I used cinema4D and my nonexistent 3D skills to make a fast and loose 8-direction ship with minimal effort. I tried my hand at procedural generation: all islands are generated randomly within certain limitations, to keep the level solvable and the sea traversable. I had a stroke of genius at the last moment and created a “miner” entity that swims through the level and places gold coins wherever it goes, at runtime. This was to ensure an interesting curving path through the level, so players would want to explore it.
3. It’s a complete adventure, my storytelling skills were also, I thought, nonexistent, but the story of Sunny and Cod just flowed through me like I was on fire. It’s got a beginning, middle and end, it’s got obstacles and emotions. I usually end up making a very unfulfilling game. This time I feel I made a difference.
4. it has a branching storyline. Well, ok, a few tiny branches. Such as when you are defeated by the 3 blacktopuses you get a different message to the one you get if you clear them. Or when Sunny tells you you need the fast sail if you don’t have it, but acknowledges if you’ve already bought it. But that’s still a lot of work. I have a much better grasp of how to implement a dialogue system.
5. it has a turn-based battle system: implemented from scratch. Boring and barebones, yes. But it gets the job done.
6. I get to develop it further. I’m dedicating the next 6 months to this game. I started a new devlog here
WHAT WENT WRONG
1. No sound I didn’t have the time
2. Button-mashing battles the battle system is uninteresting. That’s ok, and it’s all I had time for, but if I’m going to make this a full-fledged RPG, I need a good battle system. Feel free to send me ideas. Grandia and Child of Light are obviously lovely choices, where the result of a battle can be spectacularly overturned. Also Persona 3 and Fallout 2 have good battle systems. Since you’re spending half the game in battle, I owe it to myself to fix the button-mashing boringness.
3. Time management. Well I don’t know, I did a lot for three days. But it’s not as fun as a more complete experience such as the amazing SCUBA BEAR (go check it out NOW). On the other hand, I like to follow through with my ideas for Ludum Dare, instead of making a smaller game just because of time constraints.
Here’s my Timelapse video:
And thanks to everyone who commented, everyone who played my game, everyone who made a game for us to play. I love Ludum Dare, I want to never stop making games.
Until next time,
for the reasons I mentioned in http://blog.gamenific.com/2014/05/the-power-of-good-feedback-new-game.html, I am very proud to announce that my Ludum Dare 29 entry, Vaults Inc, will become a full feature game. Thanks for everyone that played and gave me crucial feedback.
The game needs to go back to design. Not only there are several features that I could not implement, but also I have to give a total remake on things that already done.
From a quick list, here are some items:
- Save and Load functionality: auto explaining and the benefits are quite obvious
- Graphical revamp: it was one top complains from LD players and not with reason
- Bots: a computer opponent for single player
- New game play features: challenges and empty blocks are among the things I want to implement to make the game richer
- Campaign mode: for single players, with specific scenarios
- Multi player: online and local
- Social: comparing scores with friends
- Multi platform: PC, Mac, Android an iOS for sure. Other platforms could be considered
If you have not played yet, Play it now!
Really happy to announce that Singular, a game made during last Ludum dare is now out !!! I spent some time to make a real game out of it.
In Singular you lead a terrified green cell through different traps. It’s a story about isolation, love, sacrifice and the discovery of diversity…an epic adventure for one little cell. Every room is a variation around a really simple and satisfying mechanic (touch cells to make them explode to a certain radius). The story is an extension of the mechanic and vice-versa. The inspiration behind is to be found towards Thomas was alone or World of Goo.
- 60 levels full of puzzles and action, including 10 generated levels (different every time you play them)
- 4 different breeds of cells x 7 different actions = many possibilities
- a unique “Combo!” mode, where you compete against the world to make the highest score
I’m a French indie game developer working in London. Singular is a game originally made for Ludum Dare #28. Here is the original game. I also do other cool stuff with museums, robots and all sorts of things.
New Dawn was the first Ludum Dare entry for both members of our team, and the first game jam/compo of any sort that we’ve done. We went in with little preparation and an overdose of optimism, but overall it came out pretty well! We weren’t able to do as much as we’d hoped – that probably goes for everyone here – but we finished in 72 hours and still came up with a solid little game.
We had a general idea of what we wanted to make before LD started: some kind of mini-RPG or adventure game. We couldn’t help brainstorming as we were voting on themes, and we really liked the idea of setting the game in a dystopia. A few of the themes could’ve made that setting difficult, but luckily for us,“Beneath the Surface” fit really well. It led to an interesting post-apocalyptic setting where the action takes place underground because the surface is no longer habitable. Plus, a dystopian setting was perfect for adding layers of secrets and false pretenses, which meant we could interpret the theme both literally and figuratively. We didn’t get to do as much of the latter as we originally planned, but we think it still comes through pretty well.
Although we started with the idea of a “mini-RPG,” we knew we probably wouldn’t have time to add many RPG elements. As it turned out, we ended up just sticking to a point-and-click adventure game. In order to have time to code extra RPG features, like a combat system, we would’ve had to spend less time on art and the dialogue system. That would have led to a very different kind of game, not necessarily a bad one, but we felt New Dawn would be better served by focusing on the story and the atmosphere. Having a better dialogue system and more detailed art helped to strengthen the story and atmosphere, whereas RPG mechanics wouldn’t really add as much in that sense. That said, if we had more time, we would have liked to add those as well.
Stefan (Coding, Art, Concept/Gameplay Design): Going in I knew I was going to use Unity (and C#), along with 2D Toolkit. I had laid out a basic plan which was to try to implement all the features by the end of the first 24 hours, then all the art by the end of the second 24 hours, and leave the third day for testing, bugfixing, and polish. I did this because I know that games always take longer than you expect, so this gave us some room to work with and helped curb our ambitions and expectations. As it turned out, this was a great idea, because although I did finish all the crucial features in the first 24 hours, the art ended up taking much longer and wasn’t done until well into the third day (and I didn’t sleep at all Sunday night either!).
Ultimately I’m a programmer, not an artist, so I’m not very efficient at that stuff because I haven’t done it much. However another big reason it took so long is that while 2D Toolkit is very convenient, it has some very tedious interface problems that require manually doing repetitive actions over and over, which really should be automated. These actions can be automated by script, but at the time I wasn’t sure if the amount of time it would take to write those scripts would be less than the time it takes to do the stuff manually. In retrospect, I think for the amount of art we had it probably wouldn’t have saved us that much. However, if I could do it over again, I would have set up those automation extensions to 2D Toolkit before LD started, because that definitely would have saved a lot of time.
The art itself also took a lot of time because I chose to put a lot of detail into it, despite it being very low-res pixel art. The details are largely in the shading, which ate up a lot of time, especially for the tilesets which required many different versions of each wall tile in order for the shading to match up. This also meant more work for Olivia when placing the tiles to build out the levels. The shading, especially on the tiles, is a very subtle effect, which I don’t think most people would notice unless they’re familiar with how tilesets work and are specifically thinking about it (which you usually don’t do when you play a game even if you are familiar with how it works). However, I still think it was worth it to spend this extra time, because although most people won’t consciously recognize that the shading is there, when it isn’t there it really stands out and looks noticeably worse. In particular, I think the atmosphere of the game was really well served by the extra shading detail. After drawing the basic shape and applying the shading, I also applied a noise filter to all except the character sprites to give them a bit of extra grit which I think fits the setting well.
On the third day, once the art was finally completed, we only had a few hours left before the submission deadline. At this point I implemented a few extra features that I didn’t consider crucial, most notably the ability for NPCs to move. At this point it struck me that the ending we were planning was going to be very anticlimactic; so I decided to spend the rest of the time quickly building out an additional final level to provide a more climactic ending, while Olivia was finishing up the penultimate level. I think this was definitely a good decision in the end, however it was risky, because we ended up cutting it very close; if it wasn’t for the submission grace period we would have missed the deadline. But overall it definitely makes the game feel much more satisfying when you finish it, so I’m glad I made that choice.
Olivia (Writing, World/Level Design, Music): We knew the general kind of story we wanted to tell before LD started, so once the theme was announced I started hashing out the details. I spent most of the first day planning the overall plot, with input from Stefan, and writing descriptions/dialogue for generic NPCs and a few items. Though I didn’t implement them that day, all of those descriptions made it into the game, and really helped the world feel more inhabited. I also wrote text for an intro screen which eventually turned into our game page’s description.
Saturday and Sunday were mostly spent setting up levels: I’m pretty new to level design, and that turned into a huge, unexpected time sink. One of the original “exterior” areas I’d made was close to the size of a real city block – way more space than we had time to fill with interesting stuff! That time would’ve been much better spent populating the existing areas and doing additional writing, but…lesson learned. I said goodbye to my hopes of having all the levels finished by midday Sunday, and had to cut a plot branch and simplify the remaining ones to make sure I’d have time to finish the story.
Monday was mostly a rush to implement the last of the plot. Thankfully I’d planned it all and written some of it beforehand. The penultimate level, two crucial dialogue trees, and two optional but pretty significant NPCs didn’t exist in-game until late Monday afternoon. I also wrote the second (and shortest) part of our music that day, since I wanted at least a little variety. In our rush to submit, there wasn’t time to put the intro text on a starting screen, but that’s something I definitely plan to fix post-comp.
There were a few things I’d hoped to fit in, even with the deadline looming, that didn’t make it. The main one was a set of PA speaker announcements (in the form of text dialogue) which would’ve given more backstory and context to the world. I also wanted to implement sound effects – we’d made a bunch in bfxr – and additional music. My next priority would probably have been adding waypoints so generic NPCs can move and putting more decorations and ambient descriptions throughout the world. In spite of all those cuts, though, we still managed to tell a complete story in 72 hours, and I’m pretty happy with it.
What We Learned:
After we submitted the game, we got a lot of great feedback from commenters. Several people had problems with the click-to-move interface, and since we didn’t anticipate that we hadn’t put in any alternate control schemes (though our post-LD update lets you click and hold, which should alleviate much of the problem). We also made the main quest a little easier to figure out in some post-LD tweaks, since several people were getting stuck. Additionally, given the amount of content we had to cut due to the time limit, some of the areas ended up feeling a little empty. They probably should’ve been shrunk down. On the whole, though, the story and art that we had came together really well, and we ended up with a short but atmospheric adventure game.
LD was a great experience, and it really motivated us to make a game of our own from start to finish. We might do something totally different next time around, but we’ll definitely be there!
A let’s play video of William the Wopol
This is version 1.1 – Post Dare (some bugs fixed, enemies added)
Well this was unexpected
This is my first completed Ludum Dare jam and this time I did the incredible choice of teaming up with some friends.
Me and Samuel (Blixt Gordon here on Ludum Dare)worked tirelessly on the game for the first two days on the game Surf Ace. I have heard that finishing a Ludum Dare
game was something really hard and that we should keep the ideas streamlined and simple. F**k that we thought lets to a game where
you can not only surf and flip (which to be honest, would have been awesome!) but also catch fish on a spear and then ride it.
“Oh brains you are fantastic creatures” – Me
I had my hesitations about the completion of this game up until the last day when one of our friends came to record the hilarious sound effects and another friend
helped out on the fiddle to create the track for the game. This all took place in the last 5 hours so you can understand my concern.
The last hours was by far the best part of the development when we had the game ready and just played around with the details.
That is, right until we figured out there is no tutorial to our game and the controls are unique to our game so it was a must.
As you probably have figured out by now it went splendid, we got a good game out of it and most important. We had an awesome time making it!
If you have read until now, here is a potato for the long post (had a lot to say I guess).
A few people seemed to enjoy it and so I thought I’d give it a shot and post my game here too.
It’s called “Keep The Gem!”
It’s my first Ludum Dare Game, and the first game I made completely alone.
For the game, instructions and tips please follow the Link:
Can you beat my Highscore of 52 seconds? Write your Highscore in the comment section
I’m quite happy with the result. Sure there are problems with the physics: Some glitches will happen and if you play for too long it will get very laggy. I added the possibility to drop bombs, so that it’s possible to destroy some bodies if you/and/or the diamond get stuck, and I think it’s fairly playable like that. Putting more work in the physics engine would have cost too much time, and I really wanted to give the game a arcade-like gamefeel, so I put a lot of effort into optical feedback and sounds.
Except for the two Gunsounds I made every sound and music on my Gameboy using LSDJ.
Most of the game was made on my Surface Pro 2 while sitting in the train and I was really surprised how well it went.
…just after the stroke of 10:30pm, on a chilly spring Monday (local), we closed up the game files, packaged a few files, and linked to them on Ludum Dare’s website. Sitting back in my chair, I’m thinking… I’ve learned that willpower and motivation are everything when it comes to Game Competitions. There’s not really much to say on the subject other than that… I’m tired! This game was drawn and programmed by Jimun Batty, drawn by Luthrid and myself, with a music track feature by Gero.
Our game is about a mammalian water dweller called a wopol. As he wakes up, he’s greeted by a page over a speaker, calling him. After doing some experimental tests, he’s sent back to his room, but piecing together that he’s not supposed to be here. He remembers being a human! Wanting to break out, he has to put the skills he learned in the lab to use and escape, but there are obstacles in the way, obstructing his path.
Take on the journey, encounter enemies, figure out navigation puzzles. Get home where you belong…
Sadly, our only regret is timing. There were a few things that we couldn’t get done in time but may release postmortem so the game feels more cohesive and complete. Enemy variety is a big thing. Between drawing enemies and coding them, there was simply not enough hours to do them all, so we stuck with three. The facility had guards that would capture you for trying to escape (and return you to your room). As well as other sea-life that would slow your journey down, drawing and coding got bumped down the pipe.
As well, as a tool of exposition, there were plans to have other Wopols in game who would talk to you and hint you along as to what the story’s about and where you need to go to finish the game. Again, timing.
Custom music was a big thing during LD-28 (You Only Get One). This time around we managed to do one (Thanks, Gero!), but used Incompetech for the rest. Sound engineering felt tight overall and there wasn’t much to improve on!
Edge case collision errors were a thorn in our proverbial side, but for the most part, if stuck, you can wiggle out of it. Something that may be fixed postmortem.
This is sort of our biggest, most polished adventure game to date. Thanks to an engine developed completely by Jimun Batty, our head programmer, making the environments, the animations and marrying them together was exceptionally breezy!
Developing a game around a story that started only as an opening line until the midway point of the dare is rewarding in its own way. You see how the game plays before you know where the character is going to end up. This gives you an idea of where to go with things from there.
From here, I’m confident that game development will be more rewarding. This was a really fun dare; it was a heck of a weekend for me personally. Between the hard work, the fun times, the sleep deprivation and the camaraderie, something fulfilling and special really hit home. That makes me all the more proud to be part of this team, and has me looking to the future with a positive outlook.
…baggy eyes, sure, but positive outlook!
After slaving away for months on the post-competition version of my Ludum Dare #27 entry, it’s finally here. A fair bit has changed since that 48-hour demonstration, and I’m pretty happy with how it turned out. The core of the gameplay is the same. You still run around an alien UFO trying to figure out how to escape, alternating between a memory exploration and a frantic dash to achieve your goals in a very limited time window. The time limit changed for the sake of playability, 10 seconds just wasn’t enough time to get any meaningful play out of. There are a couple of new upgrades, and the aliens are all over the ship just waiting to gun you down if they catch sight of you.
The long road I spent a lot of time working on this game to take it from a concept to a game I would be happy to release. When I compare the difference between the two versions it’s kind of amazing. The depth of gameplay that I wanted to present in the initial entry was far too much for 48 hours, and fortunately I realized that pretty fast. The version that I released last week has every feature that I originally planned to put into the competition entry, and between that and the improved graphics, it looks like I missed the mark on my time estimate by about 500 hours, give or take. Without further ado, here’s a rundown of what you can expect in the full version.
- Less punishingly difficult. The time limit was increased from 10 seconds to 30, puzzles were made much more flexible so you can solve them in any way that makes sense, and the collision system now has rounded corners so you don’t get stuck on the terrain.
- Drastically improved graphics. The resolution on all graphics was increased by a factor of four, there’s a lot more diversity in the environment and the aliens, and some shaders were implemented to add pretty effects like the clouds in memory mode.
- Better music and sound. No more computer-generated sound effects that grate the ear, a full score of actual music in the background, and more sound effects for things that happen in game. It’s an even better improvement than the graphics.
- A bigger, better map. The map is roughly four times the size of the one used in the competition entry, it features more dynamic objects to interact with, and has better segmentation to help you understand and navigate the space.
- More upgrades! While the first upgrade was taken away and given to you as a default ability, the remaining four upgrades are still there, along with seven other upgrades ranging from teleportation to the ability to use drugs for status effects.
If you want the full details on everything that has happened since then, you can check out the development blog at my website. Thank you all for making my first ludum dare experience a great one, and giving me the kick I needed to finally take get past the prototype stage and release a game.
After MiniLD # 49 I declare that The Spike has been released for android in Google Play.
Tired of the heroes overcome the Dark Lord ? Are you sick of always losing to them?
Well, that is going to end because the time to stand up to the heroes and curb their way through the castle of the Dark Lord has come .
But you are neither the hero nor the Dark Lord , not a powerful guardian , you’re not even a Minion . You are …A Spike !
No one spike any… THE SPIKE ! Yes , you are the typical spike is in any castle of a platform game either , faithfully guarding the abode of the Dark Lord of the arrival of the heroes.
Your task as spike is to protect the passage of the heroes to the throne of the Dark Lord and keep the good guys win .
In “The Spike” to the typical spike control of a castle of a platform game , your duty is to prevent the passage of heroes , rising from different places and with variable speed. Do not let the hero win !
Welcome to The Spike, a highly addictive casual game for free and without in-app purchases .
Touch anywhere on the screen to make the pick attack hero is happening underneath it . You have to wait a while to charge your attack. Beware the Dark Lord’s life reaches zeroIf the heroes have won and you lost!
Extreme Fishing is now released for Android on Google Play! This is my first game since I decided to go full indie in January. Extreme Fishing was originally created for Mini Ludum Dare #24 by me and João Zanini. This new version for Android has new content, better gameplay, improved controls for mobile and Google Play integration. Challenge your friends on the leaderboards and conquer the achievements! It’s also free, so download it right now for your Android smartphones!
Our Knoxville Game Design group is featured in the cover story of our local Knoxville entertainment paper, Metro Pulse. The seven page article gives our thoughts on the current Indie Game community, and describes our participation in the recent Ludum Dare 28 competition. The article features interviews with Knoxville Ludum Dare participants ViNull, DylanWolf, Insane66, and myself (GaTechGrad) along with Chaosoft Games.
This paper is available for free at numerous newsstands in East Tennessee.
PDF version (identical to the print version)
Online version (formatted for the web) – Please Like/Tweet the article so they will consider doing more game development articles in the future!
“Ermahgerd! 188th for Humor in #LD28.”
Thank you to everyone who took the time to try my game. I am humbled and glad to have taken part in LD #28.
Only scored low on innovation; which let’s be honest, is no surprise. My main goals were to complete a game and learn from the stats and feedback given, which you have given and I have done and will continue to do. Thank you, truly.
Again, thank you; thank you thank you thank you.